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TONEAudio's Product of the Year 2017

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G1 MkII


"it’s effortless, with no seeming
limit to its low-end extension"

-Adam Rayner

Explore the G1 Mk II

No. 25

Explore No. 25

Latest Article:

How To Break In A REL Subwoofer

A question that comes up regularly is “Do subwoofers require break-in and, if so, how do I do it properly?” Great question, for which the answer is an emphatic “yes”, RELs needing it more than relatively heavier-coned, slower subs that will eventually break-in on their own.
It’s funny that many who readily accept that audio electronics such as preamps, power amps and DACs need to warm up and run in for a few days to sound their best act surprised when told the same for subwoofer—it’s as though they think that subwoofers exist in a different realm from other audio components. In fact, subwoofers offer arguably the most complete-and complex-combination of any component in audio.
A subwoofer comprises essentially every component present in a complete audio system, except for the source itself. A subwoofer comprises a preamp (input filters) a power amp—ours feature dedicated, high current power supplies—as many as 5– often on their own board and a separate power amplifier board. It also features a pretty specially developed active driver that can include multiple stages of suspension and, of course, the cabinet which is, hopefully, nothing more than inert and plays no part during the break-in process. But even here, there is one small tweak worth doing at the end of break-in.
Breaking Things in Properly: As with most things in life, there is a right way and a wrong way to break-in a sub. Among the many wrong ways, turning your new sub up to “11” (on a scale of 1-10 metaphorically) as soon as the turn-on delay circuit passes sound is a no-no.

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Our Purpose

We make subwoofers. That’s it. Nothing else. No distractions. Nothing to steal our focus. No kidding ourselves that we can be good at everything. No trying to conquer the whole world. We just do our best to conquer our bit of it. Each day we come in to work in pursuit of only one intention, to produce the most raw, perfect, pure sound possible, to capture the raw intention of the artist. We use the best quality materials, employ the most exacting construction requirements. We think of the problem holistically. We pursue the chase of the perfect experience of sound with an obsessive passion and vigor. We do it because we love sound. We believe sound can move people more than any other sense. We believe it’s the integration of the bass via the perfect subwoofer that makes everything else better. And, ultimately, there is a great deal of satisfaction to be gained from doing this well, creating something of unique quality, such that you know it is going to inspire. It makes the hard work and the obsessing over each and every detail worth all the effort. That’s our reward.

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