“AT&T’s Warner Bros. announced Thursday that all of its films scheduled to launch in 2021 will be released on HBO Max at the same time they are available in theaters. It’s currently a one-year plan.” – CNBC –
With that short opening paragraph, Warner Bros. announced they were dealing with the realities of the pandemic by allowing their audience to continue enjoying the movie experience, but while watching movie theater movies at home, safe with their family. As we’ve said before, without a great subwoofer (or several, for a truly dimensional experience) you’re unable to experience movies the way they were intended.
2021 Warner Bros. Digital Debuts
This table is based on release dates in the USA. Digital debut dates and HBO Max availability vary by country.
|Title||Release Date||Produced By|
|Locked Down||2021-01-14||co-production with AGC Studios, Storyteller Productions; distributed by HBO Max|
|The Little Things||2021-01-29||co-production with Gran Via Productions|
|Judas and the Black Messiah||2021-02-12||co-production with MACRO, Bron Creative and Participant|
|Tom & Jerry||2021-02-26||co-production with Warner Animation Group, Turner Entertainment and The Story Company|
|Zack Snyder's Justice League||2021-03-01||co-production with Legendary Pictures|
|Godzilla vs. Kong||2021-03-26||A Warner Max film, produced by DC Films, Atlas Entertainment, and The Stone Quarry; distributed by HBO Max|
|Mortal Kombat||2021-04-16||co-production with New Line Cinema and Atomic Monster Productions|
|The Conjuring: The Devil Made Me Do It||2021-06-04||distribution only; produced by New Line Cinema, Atomic Monster Productions and The Safran Company|
|In the Heights||2021-06-18||co-production with Likely Story and Scott Sanders Productions|
|Untitled third Fantastic Beasts film||2022-07-15||co-production with Warner Animation Group and SpringHill Entertainment|
|Space Jam: A New Legacy||2021-07-16||co-production with DC Films, Atlas Entertainment, The Safran Company, and Troll Court Entertainment|
|The Suicide Squad||2021-08-06||distribution only; produced by New Line Cinema and HBO Films|
|The Many Saints of Newark||2021-09-24||co-production with Legendary Pictures and Villeneuve Films|
|Dune||2021-10-01||co-production with Bazmark Films|
|Elvis||2021-11-05||co-production with Overbrook Entertainment and Star Thrower Entertainment|
|King Richard||2021-11-19||co-production with Village Roadshow Pictures, Silver Pictures and Anarchos Productions|
|Matrix||2021-12-22||produced by Malpaso Productions|
Here are a few tips from our staff to help you dial in your home theater for the coming onslaught of new films.
Pro Tip 1
Still amazes us how few dealers, and therefore customers, even take the first step into higher quality home theater performance. Dolby still allows higher quality, more natural sound to be experienced at home. Go into your receiver’s (or AV processor’s) Setup Menu and slide down to Speaker Setup. Select “Large” for most speakers with woofers at least 5 ¼” ( 15cm) in diameter. Definitely 6 ½” (17/18 cm) and larger can handle this setting. If your speakers balk at this, can’t handle even modest dynamics without straining or distorting, think about upgrading them. Everything from basic dialogue to explosions will sound better and more natural set to Large/Full Range. Same goes for your center channel and surrounds.
Pro Tip 1a
Some will allow true Full Range sound—if you have THX certification in your unit, you will need to access the THX-specific menu to access Full Range.
*Note – To save you wasted time, for some reason Denon and Marantz will only allow theater bass down to 40 Hz. Full Range is not available to you.
Pro Tip 2
This one is only available to REL owners, try connecting the High Level Connection if you haven’t already. There’s a lot of information on our website that relates to this, explore earlier articles if you want to know more. This connection transforms a system. You need to have Full Range selected for this to work optimally, although you still enjoy about half the benefit on the Denon and Marantz.
Pro Tip 3
Still connect the standard .1/LFE RCA-RCA interconnect cable from Subwoofer Out on your receiver to the input on a REL labelled .1/LFE. We supply a specific input channel, complete with its own volume control to permit setting this channel, which is dedicated specifically to the biggest, most dramatic special effects bass. This channel should be connected at all times. If you’re listening to music and this is plugged in, as long as you took Step 1 above and set Speakers to Large, no extra bass will come down this channel. Your receiver will know it is music and not pummel you with bass. But when watching a movie, this channel is recognized by your receiver and activates. Cool, huh?
Pro Tip 4
Most folks don’t understand what sounds come from the .1/LFE and what from their speakers. That’s why they don’t understand how high they can set their LFE/subwoofer effects channel so it’s as loud as they need and no louder (too loud and damage can occur). Try disconnecting the main speakers while playing a loud .1 channel. Chapter 14 of the original Iron Man is a good one, strong special effects bass and virtually no other significant bass. When the bad Iron Man (played by Jeff Bridges) emerges from the ground the bass is all .1/LFE. Bring the .1/LFE channel bass up till the room shakes but go no further. Now turn the receiver’s overall volume down, plug your main speakers back in and rerun the scene. Adjust the overall volume to suit your taste and enjoy the movie in a new way.
OK, so what are some good movies to enjoy? We polled some of our staff and they came up with a short list that demonstrate big, fun dynamics:
- Pacific Rim (1 and 2)
- John Wick 1,2,3
- The Tax Collector
- Ford vs. Ferrari—Best mechanical gearshift mechanism sound ever recorded.
- Blade Runner 2049
- Olympus Has Fallen
- Knight and Day
- RED 1,2
- Deadpool 1,2
- 6 Underground
- Bohemian Rhapsody—the closing scene is simply incredible.
- KISS in Dubai –end of year show on YouTube.
- NetFlix Series Jurassic World Camp Cretaceous
Start your own list and let’s settle in to some movie (and sound) magic.